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†·°•~滲む白が揺れる~•°·†
When everything turns to nothing, I'll still be there for you.
† G o O s E b U m P s † 
9th-Apr-2009 10:26 pm
mao distorted
Turn up your damn volume and ignore the text.





The composition is based upon a poem by Henri Cazalis, on an old French superstition:
"Zig, zig, zig, Death in a cadence,
Striking with his heel a tomb,
Death at midnight plays a dance-tune,
Zig, zig, zig, on his violin.
The winter wind blows and the night is dark;
Moans are heard in the linden trees.
Through the gloom, white skeletons pass,
Running and leaping in their shrouds.
Zig, zig, zig, each one is frisking,
The bones of the dancers are heard to crack—
But hist! of a sudden they quit the round,
They push forward, they fly; the cock has crowed."

According to the ancient superstition, "Death" appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle (represented by a solo violin with its E-string tuned to an E-flat in an example of scordatura tuning). His skeletons dance for him until the first break of dawn, when they must return to their graves until the next year.

The piece opens with a harp playing a single note, D, twelve times to signify the clock striking midnight, accompanied by soft chords from the string section. This then leads to the eerie E flat and A chords (also known as a tritone or the "Devil's chord") played by a solo violin, representing death on his fiddle. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo violin. The rest of the orchestra, particularly the lower instruments of the string section, then joins in on the descending scale. The main theme and the scale is then heard throughout the various sections of the orchestra until it breaks to the solo violin and the harp playing the scale. The piece becomes more energetic and climaxes at this point; the full orchestra playing with strong dynamics.Towards the end of the piece, there is another violin solo, now modulating, which is then joined by the rest of the orchestra. The final section, a pianissimo, represents the dawn breaking and the skeletons returning to their graves.

The piece makes particular use of the xylophone in a particular theme to imitate the sounds of rattling bones. Saint-Saëns uses a similar motif in the Fossils part of his Carnival of the Animals.


Played by: National Philharmonic Orchestra,
conductor: Leopold Stokowski.

Info from here.

Something totally unrelated... I just cleaned my tags up a teeny weeny bit and then got curious on how much I used some of them...

vistlip → 54

sid → 44

...

mao → 195

blog → 460

Total sum of journal entries: 915

Ahahahahah...
コメント 
9th-Apr-2009 09:07 pm (UTC)
*cries* that sounds really beautiful and the poem is a bit cute. i want to play that now, even if it's just for orchestra fuck, i'll play the damn trombone parts if they have it. (;___;)

mao → 195

blog → 460


not too surprising. XD
9th-Apr-2009 11:31 pm (UTC)
Awww... hahaha... well I'd love to be able to play any instrument that takes part lol... violin I'd be okay to just sit in the audience and here that live ♥

Ah, it didn't surprise you? ... ;__; How sad
XD
10th-Apr-2009 02:00 am (UTC)
My god, that song just captivated me; I'm going to listen to it all over again. ♥
Wonderfully haunting.
10th-Apr-2009 09:51 am (UTC)
You should get a better version and listen to it with a good stereo system. It's eerily fantastic.
Roaded on May 23rd 2018, 11:00 am GMT.